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Marginalia is about creating discourse: both between the two artists who have undertaken this committed correspondence, and between audiences who experience the work both virtually and in real-time. Our process engages new technologies and old manual practices to explore the ground between art and life, between one coast and another, between two strangers deciding to "make a relationship". We are, like most Canadians, exploring how it might be possible to forge deep connection, mutual understanding, and complicity across great distance. In February 2004, we began making12” X 12” fabric squares/carrés that we call memory cloths. They are postcards/paintings/poems/journals/windows. They articulate our lives to ourselves and to each other. They are a soft “book of days” exchanged digitally several times per week. Each square represents one footstep: 1 foot print = 12 inches. Creating and exchanging these squares along with our daily correspondence represents a real and virtual journey to come together from the extreme east and west margins of Canada. (St. John’s, Newfoundland and Finn Slough, BC). At time of writing, we’ve made almost 3000 squares which are the basis for our work here and for the installation “MARGINALIA: Getting Out of the House” currently at Richmond Art Gallery in Richmond, BC until November16, 2008.
Pictorial Propaganda is a conceptual public art performance that uses the archetype of landscape painting as a pretext to create relationships. The work is an informal survey of the artistic engagement of the general public, the role of visual imagery as a propaganda device and a reflection on alternative value systems. In Sackville, the project will retrace the hisotry of the Owens Art Gallery from Saint John to Sackville and its impact on artists and artistic taste in the region. check out her blog at: http://pictorialpropaganda.ca/ Ed Pien check out his work at: http://www.edpien.com/ 12hr Drawing Marathon Special guest appearance by Ed Pien!
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An open panel discussion with Margaret Dragu, Pam Hall, Ed Pien, Felicity Tayler, Jake Moore, & Paulina Abarca-Canin. Moderated by Dr. Jane Dryden. An open and informal panel discussion with the audience about the issues arising when artists bring advanced practices which ar often developed in large metropolitcan centres into communities which are not. Are there issues which aise for the artists? And for the community?
Q&A + Videos: Thursday, 4:30pm at the Owens ArtGallery Well-known and widely respected artist and theorist Tom Sherman will deliver the Keynote Address at this year's Annual Symposium of Art.
Tom Sherman works in video, installation, radio and performance, and writes all manner of texts. His interdisciplinary work has been exhibited widely, including shows at the National Gallery of Canada, the Vancouver Art Gallery, the Musee d’art contemporain, the Museum of Modern Art, Documenta X, Wiener Konzerthaus, Ars Electronica, and the Impakt Festival. He represented Canada at the Venice Biennale in 1980. In 2003 he was awarded the Bell Canada Award for excellence in video art. He performs and records with Bernhard Loibner (Vienna) in a group called Nerve Theory. His most recent book is Before and After the I-Bomb: An Artist in the Information Environment, The Banff Centre Press, 2002. He is a professor in the Department of Transmedia at Syracuse University in New York, but considers the South Shore of Nova Scotia his home. Tom Sherman will also show several of his video works, followed by a Q & A, at the Owens on Thursday 23 October at 4:30 pm.
An audio and visual imporvisation environment with media artists working with laptops, contact mics, tape loops, film and video projectors, prisms, mirrors, etc. The lab will be foloowed by a public performance by the artsts assembled from Sackville, Moncton, and Halifax communities.
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