FaucetOnline is a site for the exhibition of media art on the world wide web. With the support of the New Brunswick Arts Board Faucet has co-produced six new works by New Brunswick artists for online dissemination. New FaucetOnline works are currently in development. Faucet Media Arts Centre is dedicated to developing audiences and enhancing the production of web based media art in New Brunswick

 
We Two Boys Together Clinging by Glendon McKinney, 2006
This shot video explores issues of inclusion and the law through Elsie Waynes' famous parliamentary pronouncement on gay marriage and Walt Whitman's poem, 'We Two Boys Together Clinging'.
 
Home a. Lone by Tamara Henderson, 2006
The Home a. Lone video consists of several short scenes that are modelled after scenes in the 1990 Hollywood blockbuster Home Alone. Inspired by the flow of low-fi special effects in the original film, Henderson and sculpture partner Emi Uemura reconstructed these sculpture situations in their own flat. With a small but elite cast of four: Emi Uemura, Michael Eddy, Tris Vonna Michell and Tamara Henderson, the sculptures were used as props, and selected scenes from Home Alone were realised.
   
 

WWOW.What’s Written on the Walls by Angela O'hara (work in progress)
In Gaza city, the writing is on the walls. There’s hardly any wall space that is not covered with writing. Everywhere you find propaganda and political slogans but mostly there are names, names of the shaheed, Palestinians who died due to the Palestinian-Israeli conflict.

WWOW.What’s Written on the Walls is a new media art installation that functions both as a non-linear documentary, exploring the individual narratives behind the names written on the walls and as an ongoing and ever expanding virtual archive for personal memory for a people whose history is under threat of erasure.

WWOW is structured like an archaeological site, where signs are unearthed and layers of life revealed beneath media representations of the conflict. The site is in a continous state of growth and expansion, as new layers are added to the site to reflect the depth and complexity of the situation and the user is guided along in a very personal experience of life in occupied Gaza
   
 

Nightsky by Linda Rae Dornan, 2005
Nightsky explores some of dreamtime's subconscious narratives. Disjointed thoughts and memories, and dislocated imagery surface as the sleeper floats above the ocean in a restless sleep.
   
 

Dawn of the Pixies by Tara Wells, 2004
Combining both stop motion animation frames and animated stills, Dawn of the Pixies is a fun flight of fancy where the seasonal cycle is steered astray by sprites. The audio collage soundtrack provides an embraceable nightmarish quality, inspiring the title. See more of Tara's work here.
   
 

Chasing Identidem by Thea Jones, 2004
Shadowing the beast bellowing upon its guiding line and slipping times persistance. Lured by its force, she follows. Vanishing arrivals and indefinite departures, she follows. To the eye's sight, a Lady. To the vessel which carries her, a destination. Upon porceline skin she dons a dress, threaded between her and the tracks. Trailing threads within iron lines, they meet.